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LAST CURTAIN CALL FOR GIFTED DIRECTOR AS HE IS ANNOINTED A QUEENS THEATRE LEGEND

TEARS OF SADNESS AND JOY AS BOB CARLTON IS LAID TO REST ON HIS FINAL JOURNEY TO THE FORBIDDEN PLANET

 

Bob Carltons ticket to Forbidden Planet

The man who put the magic into a Hornchurch Theatre took his last curtain call on Thursday February 8, to a packed house who witnessed outstanding accolades and a standing ovation that even turned the officiating clergy into a stand up comedian.

Bob Carlton, former Artistic Director of the Queens Theatre Hornchurch passed into immortality in January, another victim of the dreadful scourge of Cancer.

In a remarkable service that accurately reflected the man and his life, the high five ambience, love, tears and memories permeated through every heart and soul of his last audience of friends, colleagues and admirers, even down to a mass congregation rendition of 1963 hit by the Crystals, ‘The Do Ron Ron.’.

It was not a time for sadness, the believers at his Committal at St Paul’s Church in Covent Garden, suitably known as the Actors Church, were not going to allow it. In turn they created a last night to remember and one that his achievements not only generously deserved, but he had earned for his inspirational magical touch in seasons of excellence in productions at Hornchurch’s Queens Theatre.

He signed off on the last page of his memorial service booklet  with a quotation from Shakespeare: ‘Our revels now are ended. These our actors, As I foretold you, were all spirits and are melted into air, into thin air,’ and finished with ‘As dreams are made on, and our little life is rounded with a sleep,’

There was not a dry eye in the house.

A Romford Recorder feature on Bob Carlton

The mourners gathered were worthy of autograph hunters’ best efforts, for they were part of the Carlton fabric that created the legend of Hornchurch Queens Theatre and turned on the spotlights that shone for so many years.

Bob was the Queens Theatre, and it was right that the professional company he created, Cut to the Chase’ were in the chorus on the day.

Many famous names and recognisable faces, but an attempt to name them for fear of missing one out would be unforgivable; but equally unforgivable not to mention his stalwarts, Matt Devitt and Julian Littman and Bob’s brave daughter Emily who added a moving tribute to her dad.

 Bob Carlton was a remarkable man who gave unflinchingly and shared his gifts with others.

In return they filled the church with a magnificent memorial in narrative and song creating the ambience of theatre within the holy walls to the man who guided their Hornchurch years .

It was a professional performance of eloquence and skills in which love and sincerity in words and actions, made the memory of their artistic director into a memorial to a man who will never be forgotten and whose name will remain linked to Hornchurch to eternity – and beyond.

 A typical front page of the Romford Recorder’s Entertainment section hailing the birth of a new production form the Carlton mind-set of original thinking and treading new grounds in theatre entertainment.

Linking  Shakespeare’s COMEDY OF ERRORS with elements of The Blues Brothers,  starring Matt Devitt, Julian Littman, Georgina Field and James Earl Adair, and other actors all from the Cut to the Chase professional Company created by Bob Carlton. The critics wrote: “No one actually wanted to go home after the show, they all seemed to be talking about the show which was  probably one of the best top to bottom productions seen in Hornchurch.

“They talked the Bard’s talk and sang the ‘Blues’ songs, and did it work?”

This was the foundation on which the Carlton legend is based. It continued to bring in the patrons and cemented on record the achievement of filled auditoriums and high ticket sales.

A record of success and so it was. Only the third Shakespeare play to cross the boards in two decades, and it left Hornchurch wanting more and more.

The Queens Theatre was good for Bob Carlton and equally Bob Carlton was good for the Queens Theatre. He brought an era of  magic that spread the word of the value of theatre and all those who work within the walls as well as a recognition of their talent and skills in turning an entertainment into a life experience. Something those of us in Hornchurch will never forget.

 

 

 

 

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DARTFORD CROSSING £4 EACH WAY?

When is a not requited service not required? – When it costs £1.50 extra

Gov Charge letter 2

The Postman knocked twice and quite spoiled my breakfast egg and soldiers delivering the above, particularly as I had paid  the Dartford Crossing twice on line for two journeys, so how come I received a Penalty Charge demand for £70 for the return journey.

To make matters worse, I discovered I had paid £4 for each  of the two journeys and not the advertised amount of £2.50!

Shaking out my journalistic skills not often used since retirement a few years ago, I give this message as a warning for those who do not know all is no longer financially simple getting from Essex to Kent and vice versa.

The £4 crossing  is what you will  pay when booking and paying online if you are not wearing your glasses;  and it is basically quite legal, though questionable.

Before you blow a gasket read below as the fee is still £2.50 a crossing.

The loophole that no one appears capable of closing, is in the ‘Pay on Line’.

Since the removal of the Toll Booths at the Kent end of the crossing, paying now requires motorists to search the Internet to pay the fee of £2.50, prior to the journey or shortly after with time limit of one day’s grace before receiving a fine of up to £70.

As an occasional traveller over the crossing, an internet search brings up a battery of offers with different names. It is worth pointing out here that the official site UK GOV  DART CHARGE from the Department of Transport is the one to use.

Totally unaware of any complication and typing in Dartford Crossing into my computer search engine, a listing  of alternatives from; ‘Dart Charge’; ‘Dartford Crossing Charges’; ‘Pay Dart Charge’; brought up a busy page, and automatically selecting the top Pay Dartford Crossing charge. The resulting page was as I would have expected, two pictures of the crossings and instructions on how to pay the fee.

What I did not realise was the top name ‘Dart Charge’ was a private company and nothing to do with the administration of the crossing as disclosed below in their opening page.

The text at the top of the pictures has an opening line of The Dartford Crossing is managed by Highways England on behalf of the Government. Most people read this and are satisfied it sounds right. Only if you read it all do you come to, ‘This site charges an administration charge of £1.50 and is not  affiliated or associated with any of the above. Alternative payment methods are available see below for full details.

2018 copyright 2017 Dartford Charge Ltd, on the bottom of the page

Not noticing the above and in a hurry, I paid by card but only later when I looked at my bank statement did I see two charges for £4 each.

It seems this company, The Dartford Crossing Charges Ltd, pay your £2.50 fee to the proper authority and take their commission of £1.50 covered in an overall payment of £4.

It so happened they appear to have failed to advance the normal fee from my second booking and I later received a Dart Charge Warning letter (top) with the Red C logo from the Department of Transport advising of a fine of £70 for non payment.

Despite looking hard at this, as far as I can see it is not illegal and the list of offers on the internet to take your money is from quite a few companies. The catch in this case was  placing  their company under Dart Charge on a site called ‘Search on the Internet’  and conveniently placed their name on top of the listing.  Apparently this is an advert but even wearing my glasses, it was not obvious.

I contacted the GOV.UK site to ask why the increase and was told there is no increase but they were aware of this and other companies and their charges, but little they could do to stop them.

The obvious answer is to read all the print, small and large and down to the bottom of the page as they will tell you they are not doing anything illegal, and did refund the £3 for both journeys when I complained.

It seems there is a potential loop hole in the system, and though quite legal,  is it not time to  look at the circumstances under the consumer usage banner, for this certainly does not feel right?

 

 

THE MANY FACES OF MILAN

Discovering the hidden beauty of Milan; The subject of my next Travelogue to be published in the new year and following on from the high selling travelogue on Florence.

Milan is a culture treasure chest that undersells itself to the tourist industry. Hiding behind a screen of high business, Fashion and industry, with the jewels only mentioned in passing.

Having just returned from a two week working trip with heavy cameras and laptop, I found the other face.

With over 1,000 photographs and high volume copy I will now compile another full colour A4 Travelogue listing the best places to visit, to stay, to eat and relax.

It will be a mammoth task but one that will go behind the mask and the swirling clothes of Lombardy.

It will be on sale sometime in February and notified on my sites, and notification on Facebook and LinkedIn.

BITE SIZE PLANT THAT EATS BUGS AND STICKS TO YOUR SOCKS

The last thing I will ever claim is that I am a keen gardener, a quick look over my fence will confirm that, but that was before I discovered Dipsacus fullonum.

It’s not just a plant, more of a pet and looks like a wafer thin dancer with a pink headband.
Garden TeaselWriting in Gardeners World, Kate Bradbury describes it as a ‘high-rise tower block providing food, shelter and a hunting ground for a myriad of creatures.
She was extolling the virtues of fuller’s teasel, a plant that remains in the memory of cyclists who fall foul of a clutch and literally land in the middle of a family group.
Pain and trying to get the little rascals off ones clothing and skin being the unforgettable bit.
The multi-use plant serves mankind in a variety of ways; as a decorative emblem in a dried plant display and in particular the textile industry where the spiky bobbly bit on the top was used to tease out the sheared wool by raising the ‘nap’, though quite what it has to do with a card game is beyond me at the moment.
The other less attractive part of life in the teasel household is the bobbly bit crawls with black, red, green and yellow aphids in a farm collective for ants who milk the honeydew off the leaking aphids before they become a meal for the larvae of ladybirds, hoverflies and lacewings.
family treeBeing a young aphid in Dipsacus fullonum certainly does not abound in opportunities for advancement or good career moves.
Also the spiky bit attracts bumblebees and butterflies climbing over each other to get to the nectar.
A quick count up would make you think that was enough for any plant, but apparently Dipsacus fullonum enjoys a tasty meal of the little bugs that get trapped between the stem and leaf.
The joint between leaf and stem forms a cup that collects water and any aquatic minded bug going for a swim is likely to end up becoming an essential part of the plant from the inside.
Not that anyone has seen the plant having a good chew of the victim, but observations have revealed that the plant with the most dead insects in their little cups usually have the most flower heads.
It does beg the saying ‘Not a lot of people know that!

 

 

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A BEAUTIFUL SONG IN MEMORY OF THE PEOPLES TRAGIC PRINCESS

Diana, Princess of Wales – subject of Dave and Nick’s tribute. Diana, an Ordinary Girl

 

Two Essex songwriters have completed a journey started two decades ago and published a song they wrote about a Princess and her tragic life.

Diana, an Ordinary Girl got  its first outing on You-Tube the last week of May, the 20th anniversary of  Diana, Princess of Wales’ death.

Written by the Hornchurch  team of Dave Ross and Nick Dawson and fulfilling a personal promise they made to the memory of the People’s Princess.

Dave Ross

Diana made a remarkable impact on everyone during her short life, moving the two songwriters to create their own special tribute to her.

Nick Dawson

The song was outside Dave and Nick’s usual remit,  writing instead a decade of memorable and outstanding shows for the Queens Theatre, Hornchurch Community Musicals; creating a legend in their own right by adding a remarkable new leaf to the professional theatre in Billet Lane.

As with the People’s Princess, they added the People’s Community Theatre and brought a glittering period of entertainment that slotted in perfectly alongside the parameters of professional theatre. The result was outstanding in the excellence and pure enthusiasm of more than 70 local people of all ages who were given the treasured gift of performing on stage,  something they all took with both hands and feet.

Gemma Salter, the original Bubbles and later to star in Made in Dagenham at the Adelphi Theatre in London’s west end

This song for Diana is the latest of Dave and Nick’s remarkable additions to the exciting ambience that became Hornchurch and the Community Company. It reflects and emphasises the spirit that existed a decade ago when Queens Theatre became a venue for the fulfilment of the hopes and aspirations of appearing on stage that spilled over with fun and laughter.

Though Dave is now retired, Nick is extending his musical career and now a prestigious conductor of the west end smash, Mamma Mia, they are still both active in the community as shown by their latest work.

Looking back at  those times is a journey of happy memories and remarkable bonding of such a diverse group. In the time they were all together, there was nothing they could not do or achieve, and a look at the shows, Bubbles in the Air, Up the River Down the Road and the Good Intent to name but three of the many, revealed the pure quality achieved and the pride cemented in each individual.http://Diana an ordinary girl

The shows filled the stage with amateur actors and the auditoriums with patrons who created an atmosphere not seen before or performed with such excellence and  imagination since.

There were many young people who developed into excellent actors, one such who went onto to a west end career on stage is Gemma Salter.

Double page feature of the Queens Community Company’s Bubbles in the Air

 

https://www.dropbox.com/s/bwjp0msgnltes5l/An%20Ordinary%20Girl.mp4?

Bubbles in the Air launched her professional career and she later took the west end theatrical world by storm in Made In Dagenham, playing alongside and standing in for Bond Girl, Gemma Arterton in the Ford inspired musical. It achieved its West End and world premiere at the Adelphi Theatre in 2014.

Gemma is now much in theatrical demand and playing theatres across the UK.

The story of the Queens Theatre and the Community Company is one to enjoy. It brought magic to the theatre in Billet Lane, Hornchurch and the memories not only linger on, but remain as a constant reminder what enthusiasm, talent and unbridled joy can bring.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HELP RING THOSE BELLS

St Nicholas’ Church, Kelvedon Hatch

Our good deed for the day is to support a Bell Tower.

Now there is something to mull over the cornflakes.

If you can imagine historical buildings clutching their bell towers in agony after a dose of shingles, then you would not be far off the facts.

It is a mystery of our language that one title can take many forms, and by way of explanation, a Church in Kelvedon Hatch, Essex, has a very bad attack and is appealing for help.

Shingles on the spire

The shingles in question act as cladding and surround the bell tower of St Nicholas’ Church and are in great need of being replaced before the rot sets in and the bell loses its ‘ding and dong’.

Unthinkable for church first mentioned in the Domesday Book of 1086 with connections to the Wright Brothers and their leap of faith into the air some eight centuries later.

But first the problem: Shingles are small blocks of wood that surround the spire offering protection and support against the elements. A recent survey by a man who is paid to know about these things has come up with a warning that the present cedar shingles have had their day and need replacing with the strength of good old English Oak.

That is going to cost £40,000.

 A massive amount for the coffers to match, so an appeal has gone out from the Rev Mark James and Churchwarden, Christopher Jardine for donations literally, to keep the bells ringing.

Since the bad news survey, the parishioners have managed to raise half that amount but are still short of the final figure.

It is easy to think of this as just another appeal, which of course it is but if left, this could be the last peal.

The Church interior showing the complicated roof structure

The financial climate at the moment has left the collecting tins empty, and time is running out. So the church is asking for help from those heritage minded people who really appreciate the beauty of our countryside and prepared to be generous.

For those familiar with the A128 and travel from Brentwood to Ongar, the Church sits on the corner of the beautiful village of Kelvedon Hatch.

History reveals that there has been a community in the area prior to the Domesday Book, which recorded three manors, one being Kelvedon Hall with a church in various forms in the grounds.

The magnificent Pipe Organ

The Hall is still proudly standing and is the home of the present incumbent of an ancient right called the Advowson. A gift presenting the next incumbent the right to reside in the Hall. Quite a major hand me down pressy by any standard.

The historical connections of the small settlement mentioned in 1086 record  a noble called Alric of Kelvedon Manor, who joined the English fleet in an attempt to see off William and his conquering army. Well that did  not work but from this gesture, the church is named after the patron saint of sailors.

As mentioned, another connection is with the family of two brothers credited with the first powered flight, Wilbur and Orville Wright, being the descendants of a previous owner of the Hall, John Wright who bought the manor in 1583.

There is also connection with the Luther Family of Essex with Jane Luther, the wife of Anthonie, buried in the church yard.

The neighbours also get in on the act as the land on which the present church is built, was gifted by George, the eighth Lord Rodney, one of the great naval heroes of Britain whose family lived in the neighbouring manor at Brizes. 

The 14th century Font

The present church rose from the ashes of a few other buildings that over the centuries suffered from neglect and the weather; it was after a monumental fund raising campaign in 1893 when the humble penny from rustic pockets and cracked kitchen glass jars made short work of the £2,000 re-build target. A small amount by today’s standards, but a mountain for a poor agricultural community that realised the consecration of the new St Nicholas’ Church in 1895.

So much history to be explored and going back over a millennium, worth preserving and visiting with artefacts and plaques from the previous buildings on display.

The font dates back from the 14th century and was in the medieval church and now place by the front door.

A remarkable piece of Essex history and one deserves a wander through and perhaps a few more pennies.

A phone call to 01277 373816 is all you need for a donation form which can be Gift Aided through the tax system and give the Church an extra 25p from every pound donated.

Churchwarden Chris Jardine

 

 

  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

BACKWARD FLIP WITH CLAUDE BUTLER BIKE

A recently finished painting for my exhibition at the Queens Theatre, Hornchurch

It started as a nice quiet week, no rash moments,  all events planned out – even down to the good idea to get into training for the annual Leukaemia Research  Bike-a-thon through west London.

Now called Bloodwise, the name is not really that relevant compared to the sheer imagined terror of thousands of bright red clad tee shirted riders turning the pleasant quiet roads of Richmond into an artery by a different name.

The similarity to a maelstrom of gushing red wheeled simulated blood corpuscles haemorrhaging from the venal supply routes that descend on the Royal Park is one not to confused with a grazed knee. It is more exciting than that, something akin to the finish line charge of the Tour de France.

Training for a 60 mile run usually entails regular trips out in my part of north Essex where the hills do a fair impression of the Lumps of Rome, but steeper.

Muscle building starts at the bottom of one of these hills by pausing to look up, before getting off and pushing the bike to the top.

As the number of attempts on the summit increases and the dismounting marker gradually reaches beyond the Public Bar window of the Orange Tree Pub, base camp one (BCO) re-suss station is by the traffic calming bollards. A notable maker before the lactic acid in the muscles not quivering uncontrollably, gives a tacit shove over the top.

This guide is proportional to the growing girth of Rob-Roy Quadriceps from Hell 

Walking is a lot more comfortable for no other reason than the saddle is quite small, shiny and hard after the winter layoff.

I call it my Roy Rogers syndrome for those with a long memory of his manner of dismounting from Trigger and the strange walk. back to the Bunk House.

Of course it is not like that at all, but the above description is coloured version of my last trip out when taking full advantage of the steep decline back to base camp one.

It was either a stone or pot-hole, but the gathering speed lifted the back wheel off the ground in a serious wobble that was exacerbated by right foot jamming onto ground and literally throwing bike and rider in a graceful reverse arc with an intermediate exchange of positions resulting in the rider flat on back and wearing the bike, the resulting suspected crack rib really does smart.

The spectacle was sufficient to stop two motorists who witnessed the aerial ballet to see if they could claim salvage, No, I  was grateful for their concern but the dent in my pride resembles the non geometric shape of the rear mudguard or the multi-coloured bruising on sternum, thigh, arm and chip out of the right shin. Thank goodness my machine is a Claude Butler Roadster and obviously built for wear and tear.

Movement is confined for a while and accompanied by pitiful sympathy searching groans, but no direct response yet.

The reason for all this mush is not only to raise awareness of my need to add to the already raised figure or £300 for the Leukaemia Research charity in June, but the strange painting of Salford Sid above to pass a comment about a joint art exhibition I am holding with my brilliantly talented acrylic artist friend, Zoe Clements which is in the foyer of the Queens Theatre, Billet Lane, Hornchurch. now until Saturday April 22. The foyer is open Monday to Saturdays, 10am to 8pm and free to enter.  Thank you for listening.